Car audio

Car audio/video (car AV), mobile audio, 12-volt and other terms are used used to describe the sound or video system fitted in an automobile. Such devices aren't necessarily limited to automobiles, and can be used, marketed, or manufactured for marine, aviation, and mass transit. This article focuses on cars as the most common application. History From the earliest days of radio, enthusiasts had adapted domestic equipment to use in their cars. The commercial introduction of the fitted car radio came in the 1930s from the Galvin Manufacturing Corporation. Galvin Manufacturing was owned and operated by Paul V. Galvin and his brother Joseph E. Galvin. The Galvin brothers purchased a battery eliminator business in 1928 and the corporation?s first product was a battery eliminator that allowed vacuum tube battery-powered radios to run on standard household electric current (see also Rogers Majestic Batteryless Radio). In 1930, the Galvin Corporation introduced one of the first commercial car radios, the Motorola model 5T71, which sold for between $110 and $130 and could be installed in most popular automobiles. Founders Paul Galvin and Joe Galvin came up with the name 'Motorola' when his company started manufacturing car radios. A number of early companies making phonographs, radios, and other audio equipment in the early 20th century used the suffix "-ola," the most famous being Victrola; RCA made a "radiola"; there was also a company that made jukeboxes called Rock-Ola, and a film editing device called a Moviola. The Motorola prefix "motor-" was chosen because the company's initial focus was in automotive electronics. In Germany Blaupunkt fitted their first radio to a Studebaker in 1932 and in the United Kingdom Crossley offered a factory fitted wireless in their 10 hp models from 1933. The early car radio receivers used the battery voltage (6.3 volts at the time) to run the vacuum tube filaments, and generated the required high voltage for the plate supply using a vibrator to drive a step up transformer. The receivers required more stages than the typical home receiver in order to ensure that enough gain was available to allow the AGC to mask signal fading as the car was driven. When cars switched to 12-volt batteries, the same arrangement was used, with tubes with 12-volt heaters. In 1952 Blaupunkt became the first maker to offer FM receivers. A common feature of modern car radios is the Seek function which allows tuning from one station to the next at the push of a button. It may be a surprise to some that this facility was a popular option on some Ford products in the 1950s. It was known as the "Town & Country" radio since it used a pair of switches marked "Town" and "Country." Pressing the Town button actuated a motor to rotate the tuning mechanism while the receiver sensitivity was reduced so that only local (stronger) signals would be received. When a station was tuned, the motor stopped. Pressing the Country button had the same effect except that full sensitivity was enabled so that the very next available station would be selected. In addition, for repeated seeking operations, pressing a foot switch on the driver's floor up to the left where the "dead pedal" is located on modern cars would reactivate the Seek at whatever sensitivity was last selected. The introduction of semiconductors (transistors) allowed the output stage to change to a transistor, which soon lead to the elimination of the vibrator, and the use of "space charge" tubes that only required 12 volts on their plates without a high voltage plate power supply. Advances in electronics allowed additions to the basic radio and Motorola offered 45 rpm disc players fitted to some Chryslers from as early as 1956. Tape players using reel to reel equipment followed, but their bulk ensured limited popularity. This changed in 1964 when Philips launched the Compact Cassette. During the 60's Lear invented and introduced the 8track cartridge in competition with the cassette system. Other early manufacturers and enthusiasts began building extra audio amplifiers to run on 12 volts (the standard voltage in automotive electrical systems). Jim Fosgate, later to become the founder of Rockford Fosgate, was one such pioneer. The company a/d/s also brought an amplifier to market in 1978. In 1983, Zed Audio became the first company to build a 200 watt per channel car amplifier, which was invented by company founder Steven Mantz. At first, speakers from the home audio and professional markets were simply installed into vehicles. However, they were not well suited to the extremes of temperature and vibration which are a normal part of the environment of an automobile. Different manufacturing techniques, and different component materials were used in construction to adapt to these conditions. Car audio competitions started in the early 1980s in a quest to find the loudest and/or most outrageous installations. For example, in 1985, Wayne Harris famously modified a 1960 Cadillac Hearse to feature three 24-inch subwoofers as well as eight 12-inch subwoofers. Little consideration was given to sound quality early on, but in the early 1990s, several organizations, including IASCA, began car audio competitions focusing on sound quality. The two styles -- SPL vs. sound quality -- have become almost mutually exclusive. The loudness competitions have become known as dB drag racing. Currently, MEASQ conducts Sound Quality Competitions nationally in Australia. This back to basics competition format was developed by Marc Rushton, the founder of one of the largest enthusiast organisations known as Mobile Electronics Australia. Stock Unit A stock car audio system refers to the OEM application that the vehicle's manufacturer specified to be installed when the car was built. A large after market industry exists where the consumer can at their desire replace many or all components of the stock system. Head Unit In modern cars, the primary control device for an audio system is commonly referred to as a head unit, and is installed in the center of the dash panel between the driver and the passenger. In older vehicles that had audio components as an option, such devices were mounted externally to the top of or underneath the dash. The headunit itself is usually a multi-purpose device that houses multiple types of components in its housing. The most common components are a radio receiver/tuner usually with AM and FM bands, and a small amplifier for driving an audio signal to speakers. Other possible components include various media devices, such as (in older vehicles) a tape player (either 8-track or cassette), CD player, DVD Player, Minidisc, flash memory, and even a hard disk drive typically used in notebook computing. Many head units also feature a DSP component, and equalization component (such as bass and treble controls), or a control interface for another feature on the car (such as a back-up/parking camera, navigation system, trip odometer, etc). Due to auto manufacturing differences over the years, aftermarket headunit products are manufactured in multiple form factors. The primarily used size is mostly referred to by its legacy name of DIN, which refers to ISO 7736. DIN headunits come as single DIN or double DIN. A third less common standard is used mostly by Chrysler group and for a time Mitsubishi in their OEM devices. Speakers Car speakers are largely functionally identical to any other loudspeaker design with key components specialized for use in mobile environments, and generally serve an identical purpose. One major key design difference is mult-axial mounting of different types of loudspeakers in the same footprint, such as a tweeter directly mounted over a woofer. Another key difference is non-circular cone shapes, such as square, oval, or even triangular. Both of these features reflect a significant reduction in space and size that a speaker may occupy in a vehicle cabin. Subwoofers may also be found in mobile audio applications where a cabin speaker make lack the desired low frequency response on its own. Before stereo radio was introduced, the most common speaker location was in the middle of the dashboard pointing through perforations towards the front windshield. In most modern applications, speakers are mounted certain common locations including the front deck (or dash), the rear deck (or parcel shelf), the kick panel (located in the footwell below the A-pillar,) or the doors. In the case of subwoofers, mountings are usually under the seat or in the trunk. Each position has certain strengths and limitations from both a quality of sound, and a manufacturing perspective. 5.1 and even 7.1 channel surround sound systems, as well as THX II Certified, are now being integrated into some cars by both aftermarket enthusiasts and car manufacturers themselves. These systems include the full complement of front left, right and center speakers along with rear right and left surround speakers. Amplifiers Basically a mobile Audio amplifier, a car 'amp' is a term used to refer to a dedicated electronic amplifier separated from the other components of the system. Though most head units have an amplifier, some do not, or lack desired features. External amplification is available and most often used when existing amplification is insufficient. This is usually the case when powering a subwoofer, where desired wattage may be several multiples more compared to other cabin speakers. Though less common, oem external amplification can be found in 'premium' audio packages, or in luxury cars. More common is aftermarket amplification installed later to satisfy the expansion of an existing system in some way. During operation, it is common for a vehicle's charging system fluctuate, so a regulated amplifier will maintain its power output regardless of voltage fluctuation. Amplifiers rated at 100 watts @14.4 volts can not be regarded equal as to an amplifier that can maintain 100 watts @ 12 volts. Oustide of certain standards, it is not uncommon for manufacturers to list a 14.4 rating & not post a 12 volt value. Subwoofers Subwoofers are a specific type of loudspeaker for low frequency reproduction. Mobile 'subs' are not very different from any other application of sub in terms of construction. However it is more common in aftermarket that visual aesthetics take on a more significant role in design than other types of sub drivers, including high contrast paint schemes, grill covers, translucent or refractive materials. A subwoofer is used when existing low frequency production is unsatisfactory, either in frequency range or in volume. Design goals have led to subwoofer, both driver's alone and whole packages, with some extreme difference from one another. Space conscious design has reduced some driver depth to 2" or less, or enclosure depth to 3". Pure loudness through increasing sound pressure in DBL has led to some driver's with excursion as great as 4" and vented components to cool the motor of the speaker. Quality and clarity has led to driver enclosures being tuned by construction to resonate or neutralize certain frequencies. Capacitors Capacitors are used to store energy for the amplifier to draw on demand. They come in many different sizes ranging from .5 Farads to well over 100. Like just about everything in life, capacitors have their place in the car audio world. Sadly, the majority of people who use capacitors would really benefit far more from running a second battery instead of capacitor. Capacitors will not make up for an insufficient electrical system; if you are trying to run a given amount of power, be sure your electrical system can support it. Alternator and battery upgrades are the way to go. For audio applications you want to look into AGM and deep cycle batteries such as PowerMaster, Kinetik, Stinger SPV, Xstatic BatCaps, and Optima batteries. Rattle-reduction Sound deadening is often used in the door cavities and boot/trunk area to provide less rattling of the metal in the car, especially the boot/trunk. The most common type of deadening is either Butyl or rubberized asphalt which has an adhesive quality and can be applied by simply pressing it into place with a roller and use of a heat gun (or hair dryer) if needed. Other types of deadening can be sprayed on, but they're less common because of the additional difficulty in their installation. The most popular sound deadening brand would be Dynamat, with others that are not as well known but offer sound deadening products in which some have been proven to be superior in performance such as Second Skin's Damplifier Pro, FatMat, and RAAMat to name a few other companies. Other components Other components that make up high-end car audio installations may include: * Multiple-CD Changer. * amplifiers * audio processors * cables * crossovers * equalizers * mobile video (VCRs, television, DVD and navigation) * Controls, including on steering wheel. * Car computer, fully functional computer (i.e. Internet, Music, games) that is operable from the interface. * Gaming consoles ? passenger entertainment.